Here are some of the festival shots from the Bud Light Digital Dreams music festival in Toronto, ON from June 28th and 29th. Some more to follow in the coming days as well.
Will Photographing a Color Me Rad Run Ruin Your Equipment?
It might... if you're a moron.
Recently I shot some images at a Color Me Rad event in Toronto. Once I told people this they freaked and brought to my attention a few blogs that talked about it destroying their brand new gear. Many of these blogs were on lens rental company websites who refused to rent lenses for these events. That's their prerogative of course.
These articles draw your attention the the dust that infiltrated every crevice in the lens which required them to be cleaned from the interior. My first major critique of these articles is they noted that the photographers were not close up in the action. I'm going to have to call objection on that your honour. The photos I saw repeatedly used an 8-16mm lens as an example of gear that got ruined. That is an extremely wide lens so unless someone was going for nothing but sweeping landscape shots they were clearly right in the middle of the action to get good shots from that lens.
The common sense alarms should go off for any photographer when they hear powder being thrown around in the air. As well seeing the images that already exist for previous events you should know what you are getting into. Just prepare appropriately!
So my experience was just fine. I put a cheap rain cover over my camera, used a 70-300mm zoom lens, stood far away and up wind. I was still able to get great shots from far away by using a zoom lens. The other suggestion I would make is not to shoot in the main gathering area/finish line. It can be tempting because you can get a lot of dramatic shots there but that's where you put your gear at risk.
If you plan carefully, take basic precautions and use common sense, you and your gear will be just fine. The best part is you will get some great photos. Everyone is super energetic, they look great, and people gravitate toward photographers with all of their enthusiasm.
Here are some of my shots from the day.
Hamilton Fashion Week 2014: James Street Fashion Show
Some selections from Hamilton Fashion Week's Street Fashion Show.
Feel free to use for personal use. Please do not edit, or crop photo and credit Marek Michalek Photography www.photoshootme.ca
It's Not The Camera, It's The Photographer... But Also It's the Camera
There is hot debate on the value of smart phone photos and the artistic and technical merit of those as art. Some people are able to capture great images on a simple iPhone, so much so that they created awards for it.
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Jason & Charmaine Grace Brown
Artist Promo Photo Shoot With Jason & Charmaine
While most photo shoots require planning and forethought there are some that require a little more. You often don’t get insight into the thought process behind a photo but I can assure more often than not there are specific choices made for specific reasons.
Recently I got to shoot with two fantastic musical artists Jason and Charmaine Brown. They were looking for some promotional photos. Great, sign me up! With this came the challenge of branding musicians visually. How do you visually represent an artist?
My specific challenge with Jason and Charmaine was representing them within their musical genre. In their case they have both a mainstream pop as well as Christian music background. Also in addition to being musical partners, they are partners in life as a married couple. I wanted to balance all of those elements within the photography to tell that story. I wanted to hint at some of those elements without punching the viewer in the face with it.
Things I wanted to avoid were white flowy robes with divine lights haloing from their heads. I also wanted to avoid making the photos too “coupley”. While they are a husband and wife team and some shots suggest a certain intimacy, I wanted to show them more as musical partners. I tried to keep more neutral poses for a majority of the shots.
I had technical considerations as well. I went in with the mindset of how the photos would be used. These being promo photos I knew I had to shoot them in a way that they would be useful for creating marketing materials, be used on websites, and have the flexibility to add graphical elements to them.
In the end I was pleased with the results. I think we created images that showcase the personality of the artists. I think the photos revealed their sense of passion, fun, and love. I know that they are dreamers and I think that comes out in their eyes.
I look forward to see where they go in their music careers and I am excited I could be a footnote in their journey.
Model Portfolio Shoot with Bree Leigh
Here are some select images from my recent model portfolio photo shoot for Bree Leigh. We wanted to focus on some fashion and portrait looks for the night. It was a quick shoot but we got some great shots.
Spring is in the Air!
Even though mother nature likes to remind us mid April is still fair game for snow in Canada, it might be nice to get a glimmer of hope for a real spring. Filled with colours and warmth. In the spirit of that warmth we wanted to put together a creative spring inspired fashion shoot that would be wildly colourful and fun.
The shoot itself was a blast which only resulted in getting terrific images. Here are some behind the scene images as well as some of the finished product.
Hair and Makeup by Aleksandra Stanojevic http://www.aleksandrasartistry.com/
Behind the Scenes
Your LinkedIn Photo Sucks
Few of us realize the importance of a good quality photo for our professional profiles. Here are many of the mistakes people make when choosing a LinkedIn Profile.
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If you are a photographer chances are you have currently or have had one of these types of images as a profile picture/avatar.
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Taking a look at the competition in photography and examining why success can be difficult in a flooded marketplace.
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Wildlife Photographer of the Year: ROM Exhibit
Over the holiday break I had a chance to go to the Royal Ontario Museum (ROM) where they showcased a fantastic photography Exhibition “Wildlife Photographer of the Year”. In short it was awesome.
Read MoreJean Claude Van Damn Volvo Nailed That Commerical!
I love amazing photography. I love amazing films. I love creative adverting, and I love Jean Claude Van Damme.
Read MorePascale Swimwear Talent Casting
A couple of weeks ago I got the opportunity to work with an incredible swimwear designer Marina Pascale. She was scouting some local talent for upcoming fashion shows. We had a fantastic day shooting together and all the models that came out were tremendous to work with. What was awesome to see was how one outfit could look so different on a few different models. The swimwear looked amazing and made my job super easy.
For more information on Pascale Swimwear or to purchase visit: https://www.maisonpascale.com/
Follow on Facebook: https://www.facebook.com/lamaisondepascale
Follow on Instagram: http://instagram.com/pascaleswim
Here's a sample of some of our work from the day.
My Thoughts on the Nikon Df: Why do we love vintage so much?
My social media feeds are usually full of modeling photos, new
camera announcements, and the occasional person looking for attention. This
week it has exploded with news of the Nikon Df. Articles galore condemning or commending
Nikon for their newest camera. F-stoppers had a great comparative article
showcasing the two camps. I found myself strongly leaning toward the ‘this
camera is unnecessary’ side. I thought I would weigh in with my usual brand of wit and sarcasm.
The main argument for the Df is it is a photographer’s camera. No frills, no video, just pure photography goodness. This is not meant to be a camera for weddings or professional studio work. It is purely for the enjoyment of photography. It is for going back to our earliest memories of falling in fall with photography. Nikon is really trying to play on our strong nostalgic emotions of our first ‘simple’ cameras.
One argument is that it reminds us of our first cameras. That we can go back to that mind frame of discovery and excitement. My love of photography started differently than many other photographers’ stories I read about. I always hear about photographers getting their dads old Nikon or Olympus and toying around with black and white film yadda yadda yadda falling in love with it. Well I never was able to get an SLR. I knew I loved photography early on but all my parents could afford was a point and shoot camera. I loved it and was really grateful but I remember always being handcuffed creatively by what the camera could do. I knew exactly what kind of image I wanted but I could not replicate it with what I had available. The camera simply wasn’t good enough. Therefore me going back to my roots doesn’t mean I focus on creativity and excitement, I think of limitation and frustration.
So this camera is marketed as back to basics ‘for the love of photography’. The very idea of a pleasure camera is counter intuitive. I understand the desire for a compact camera as a casual creative shooter, but the Df just doesn’t fall into any appropriate category. I have just accepted that on trips and nature walks I am bringing large DSLRs and large heavy lenses. I can’t accept poor quality photos on vacations so I will suck it up and bring my proper gear. I would not bring a Df just because I love taking pictures. I love taking good quality photos where I can create the image exactly like I want. I am aware you can use all of your regular lenses on this camera but the marketing suggests you would just use one simple lens and snap away like you used to as a kid.
I also strongly disagree that the Df is like a Porsche and other DSLRs are like a utilitarian van. To me a Porsche is about styling, speed, the thrill of driving. I understand how that can be related to photography. But the joy of photography is about creating an image. It is a tool for you to accomplish something. The camera itself only enhances your journey by allowing you to create what you envision. Your experience of using the camera should enhance what you are trying to achieve. Can a camera be fun to use? Or is it more about being easy to use to accomplish what you want? Rather than thinking between Porsche or Caravan I think of it more like the Mustang redesign. They took inspirations of the old beloved nostalgic design and wrapped it around modern functionality and engineering. An old Porsche is beautiful and elegant, but it could never drive like a brand new 991. The idea that the Df is a physical reminder of why you picked up a camera is ridiculous. I will always buy the best camera I can afford.
Thus we come to the Apple argument. They sell beautiful things that are overpriced. Yes they do, but they also make user friendly devices that are intuitive and allow you to do what you want to efficiently. Actually when you think about it, is the Df actually beautiful? It’s just old looking? Old looking doesn’t mean better. Apple isn’t making beige boxy computers to remind us of the glory days of computing. Not yet anyways. Which bring me to my main rant about our love…. Vintage.
Why do we love vintage things so much? We are obsessed with our past. We glorify things that did not work as well, were poorly designed, or were incredibly ugly. Fashion constantly looks backward to revitalize our stale present. Older wasn’t always better. I know your grandpa looked stylish in his brown suit and thick framed glasses. But not everything should go backward to “the good ol days” because often the “good ol days” sucked. I fall victim to love of vintage things. My beloved old Star Wars t-shirt, my cassette tape iPhone case, and wayfarers. There is comfort is looking back at our past, but often the reality wasn’t as pleasant as we remembered it. Let’s not let vintage design take over ergonomics and technical evolution.
So who should buy the Df? People with plenty of disposable income (who of course love photography) and like old things for the sake of their design and simplicity. Otherwise spend an extra $200 and get a monster D800 that can do anything just short of time travel. Cameras can be as simple as you want them to be, why limit your growth or ability just for the sake of fashion. To me if you buy this camera you are falling into the group of people who buy rotary phone style handsets to plug into their smartphone.
My 2020 Photography Prediction
I had a marketing professor in University who said she predicted in the 80s people would pay for bottled water. Seemed silly at the time, now people are paying for what they get out of the tap for free. Her next prediction is that people will make their own pop (soda if you’re American) with those fancy CO2 machines. So my prediction: 80% of photographers will become videographers. This means they will do corporate, wedding, and creative videos as a large part of their services.
There a couple of reasons for my prediction.
1. Most new DSLRs have a video function built. With the high quality lenses a photographer already has they automatically are stacked with incredible equipment to enter this field.
2. They have the creative mind suited for video/film production. A photographer has trained themselves to create a compelling image in one frame. They can tell a story with just one shot. That skill alone gives them a stepping stone to creating video.
3. The financial reasons. Photography itself is becoming a harder sell as a commodity or service. People are reluctant to pay for the service because so many people can do it for so cheap. People are tackling photography projects themselves because there are few barriers to entry for a simple photo project. For video there is opportunity to create quality productions for people at a reasonable cost, and for a reasonable profit.
4. Content is evolving. The growth of video online has created an entire new market for artistic productions. Online streaming sites such as YouTube and Vimeo have revolutionized film distribution. An individual artist is able to compete on a large scale with minimal resources.
5. A continuation of the last point, content demand is shifting as well. There is an opportunity for artists to create content the general population wants to see. If it is clever, artistic, well executed, funny, it can be shared endlessly. People want short entertaining videos. They are sacrificing production value for quality content. You could create a 5 minute film that has as large of an audience as Transformers 4.
6. It’s a new challenge. Photographers always like to push themselves with new techniques, new types of creations. Video production is the natural evolution of that artistic journey. They don’t have to switch gears entirely; however dabbling in video could satisfy a creative thirst.
Photos I Hate – Bad Photographs A Lot of Models & Photographers Think Are Creative
We all have taken bad photos. We have experimented with silly techniques. We have let Photoshop get out of hand. But most of us quickly realize the error of our ways. We realize our truly interesting and unique concepts are overdone, stupid, and poorly executed. I frequently look back at older work and think “what the hell was I thinking”. At the time a part of me knows it’s a bad idea but I let novelty get in the way. But the key is to learn from mistakes, and not do what everyone else does. Or do what we think is super original when it may not be.
I have compiled a list of photos that I absolutely hate. I keep seeing these with emerging photographers and models. Often they think the ideas are creative, unique, or add some kind of edginess. Some people grow out of these phases while others continue to flood our Facebook feeds and portfolios with this garbage.
The Photos:
Model giving the finger – OMG you’re so badass and edgy. (I only use “OMG” there because those short forms are most often used by the type of people in these photos). You are really making a statement against conformity. Actually you just end up looking trashy and undignified. Leave the edgy persona to badass music artists targeting 14 year-olds.
Models on the toilet – Why is this a thing? It’s shocking how common these images are. Why would someone think this is a good idea for a photo? Just why?
Poorly done HDR – Generally we can’t tell if it’s a weird digital painting, or you’re at a rave perhaps? If you are going to dabble with HDR, do so discriminatingly. There is a way to have a wide dynamic range of light and colour without making your images look like Tron.
Weird borders – I understand Instagram is fun with borders, filters, pretty icons to superimpose over top. Keep it to Instagram. I don’t mind when there is a simple non distracting border. But when you use plugins that add grungy borders it really just takes away from the image.
Awful Watermarks – I did a whole post on terrible watermarks. Too often people ruin their images by splattering their logo/watermark all over the image. We get it! You took the picture. Is there even a picture behind your overly designed logo?
Marilyn Monroe – Yes she serves as a lovely inspiration of beauty etc… But imitations of Monroe are so overdone. At times these images can be well executed with the right creative team but more often than not it is a blonde busty girl with a fan under a dress. Overdone. Move on.
Gas Masks – You are trying too hard to be different and edgy. Often these gasmasks are added to “normal” situations to create some kind of dystopian world or suggest alternative modeling. It was interesting the first 1,000 times it was done.
Strangely manipulated skies - Why is that sky green? Was there some kind of nuclear fallout? Are you shooting a model in front of Aura borealis? I get that it is fun to experiment in Photoshop and make some interesting adjustments. These should not make it into your portfolio.
Horrible aged graphics – When you incorporate graphic design into your photography, i.e. logo design please keep up with modern design. Don’t include beveled and embossed lettering or something that looks like you made it in WordArt. Remember WordArt?
White Vignette – This should not be an option in the RAW editor. Shockingly I see white vignettes show up in some photographer's work. Leave this option where it belongs - > in my parents wedding photos from 1970s communist Poland.
Wrinkled sheet/Muslin backgrounds – This is one of my biggest pet peeves. A decently lit, well posed, beautifully styled photo, only to be ruined by the photographers wrinkled bed sheet. Firstly, do not use bed sheets. A roll of seamless paper is $40. Invest in your work. Muslin backgrounds also should not be used. To me they scream 90s Sears portrait studio photos.
Soft Glow – To me this is generally a sign of an amateur. You haven’t yet had much experience in retouching skin so you soften your images to death. Combine this with a few other amateur techniques and you are instantly placed in GWC category.
Caution Tape – Overdone. Let’s move on.
Over Saturated - Another common sign of amateurism. You start playing with editing features; you find saturation and think “woah this makes a big impact on my photo”. Look at all those colours you brought out. Well no, those colours don’t belong there so leave that saturation adjustment alone. The sky in a photo should not look like Gatorade, and the leaves on that tree should not look like lime candy.
Woah… that was a long rant. In the end do these photos always look bad? No, not always... but usually. If you think something is really unique try and Google search to see if hundreds have done it before you.
So I was taking pictures of David Hasselhoff...
I thought I would do a quick write up of my weekend as lots of my friends have been asking what is going with my Facebook page photos. This week I had the opportunity to be a “celebrity photographer” at FanExpo in Toronto.
Basically there was a casting call for photographer I applied to and 2 weeks later I’m shooting at FanExpo 2013. If you’re not familiar FanExpo is a fan convention (basically like Comic-Con). There are athletes, actors, musicians, essentially a load of celebrities at various stages in their careers. They do autograph signings, panels, and get out and meet fans. It’s a great opportunity to meet some really cool people in the entertainment business. Others might know it as a nerd festival where legions of fans come decked out in their Star Trek or anime costumes. If you were anywhere within the vicinity of the convention centre you would know what was going on. Blue girls walking around, guys with giant swords strapped to their backs strutting the streets. FanExpo is a sight to see no doubt, and a place to be if you are an avid people watcher.
Shootin the Celebs
My role this weekend was not a glamorous one by any means. I got to snap photos of fans with their favourite celebrities. I did not have to do any fancy lighting set ups or super creative shots. It was just taking a simple portrait. I looked at it differently though. I had 5 seconds to take a photo that will mean a lot to someone for years to come. There are people who will frame these photos right next to their wedding photos. That’s the fascinating thing about fandom. These celebrities are so revered and loved. They have played characters that are now permanent fixtures in our cultural history.
For these fans getting the opportunity to meet and have a photo taken with them truly means a lot. There’s an odd simultaneous connection/disconnection we have with celebrities. We know them so well. Every detail of their life is shared in the public eye; we know a creepily large amount about them. We follow their careers and personal lives. Yet they live in such a different world. We place them on these pedestals as larger than life figures. That’s what makes it so odd when we see them in real life. So often they are not as tall as we imagined. Perhaps they are more friendly or down to earth than we thought. So when we do finally see them in real life there is an influx of emotions and experiences that are parading around our heads. And SNAP, the picture is taken, and all we have left is that 15 second memory with our revered celebs, and a glossy 8x10. That was the experience I was part of all weekend. I got to see it from both sides which was really fascinating.
So this weekend I was fortunate enough to photograph David Hasselhoff, Alice Cooper, George Takei, Joe Dante, Barbara Crampton, and Colin Baker. A mixture of arguably famous people. I probably spent the most amount of time with the Hoff which for me was thrilling. I can vividly remember being a young prepubescent lad tuning into the finely crafted drama; Baywatch. The opening credits to that show can easily be considered the best use of slow motion in cinema/televison history.
So before meeting the Hoff I was all gitty and excited. Then, in walked the 6’4 Hoff with his agent/manager and girlfriend. I made sure to play it cool and give a nice firm handshake as I looked eye to eye with the legend. Immediately that celebrity guy disappeared and I was just chatting with a regular guy. A guy with a super busy schedule and a crisp ‘Camp David Polo’ shirt. I didn’t want to ask silly celeb questions. Instead I just chit chatted about normal human stuff. He was so friendly and energetic. The thing that struck me was how busy he was with celebrity appearances and all the stuff he had going on. In my mind the Hoff is not at the peak of his career yet he is still wanted all over the world. It made me think about how many formerly big stars, or even mediocre stars are still living that celeb life years after their heyday. The Hoff is so busy he had to quickly scarf down some sushi in between photo shoots. While eating an impatient fan tapped the Hoff on his shoulder to get a picture. Hasselhoff graciously stopped to take a photo with the guy. Shooting with the famous folk all weekend you can quickly get a sense who legitimately appreciates their fans and understands what a photo means to them.
The process itself was very quick and our instructions were to get through as many fans as possible as quickly as possible. This makes sense as these people have appearances to get to, flights to catch. But every so often you would see them stop and engage with someone. You could tell they wanted to chat more but time restrictions wouldn’t allow it.
Some fans even brought gifts for the celebs such as one gentleman bringing an old concert poster for Alice Cooper. It turned into an amazing memory down memory lane and Cooper seemed genuinely thrilled by it. That’s what I took away from this weekend is that they really are just regular people who have led interesting lives. But people get such a thrill from meeting and interacting with them. Getting great photo with a celeb also seems to have replaced the autograph. It becomes a treasured item.
One of the coolest things to see is when these stars become star-struck themselves. It seems none of us are immune from seeing a celeb and being excited., intrigued, or enthralled. So that was my weekend. I was caught up with people I have “known” from a distance my whole life. I just tried to observe and take it all in. All in all it was a great weekend.
What Kind of Camera and Brand Should You Buy?
I have friends come to me all the time asking what kind of camera they should buy. Since I do the photographizing they think I can point them in the direction. That question usually results in the annoying “it depends” answer for the person. So I go into long winded explanation with hypothetical situations and lay out scenarios and discuss needs.
I’ll start by saying I’m a Nikon shooter, but that doesn’t mean you can’t get other brands. There are pros and cons to all brands but at the end of the day there will be complimentary cameras at each level and price range. I chose Nikon because the magnesium body felt more solid to me. I’m always taking it hiking on treacherous trails or have it with me while travelling so I wanted something that could take a little punishment. But ignore anyone who says there is only one good option for a brand. It often comes down to personal preference.
First thing to decide when buying is to identify what you want to use your camera for. That could drastically affect what camera you should get and how much money you should expect to pay. I’ll explore a couple of photography user types and suggest cameras based on those needs. Perhaps you fall into some of these categories
The Casual Shooter
You enjoy taking photos to capture memories or random moments. You may want to take a picture of your beautiful garden, take a snap at a family get together, or are obsessed with your dog.
The Vacation Shooter
You want to take some nicer pictures on your upcoming vacation. You know you’re going to have great photo ops on your European tour, or Caribbean cruise. You know you will deal with various lighting conditions and will be on the move a lot.
The Extreme Sports Shooter
You want to capture those awesome moments skydiving, surfing, or snowboarding. You want something tough and unobtrusive.
Aspiring Filmmaker
You want to exercise your artsy side. You enjoy photography but want to harness the video capabilities as well. Maybe make a short creative film, be a YouTube star, or actually pursue filmmaking to a higher level
Hobbyist Photographer
You love photography. You see things differently than others. You enjoy going out just to take photographs. You spend your free time browsing photo sharing sites like Flickr.
Aspiring Pro Photographer
You have been a Hobbyist and want to go beyond that. You want to explore your creative potential. You want to shoot at an advanced level with manual modes, off camera lighting, and unforgiving lighting situations.
Examining these categorizations can give an indication as whether you should purchase a point and shoot, “action camera”, DSLR, or other interchangeable lens camera. Each of those choices will result in different prices ranges and varied level of photo quality. They also are not the be all and end all, just loose guidelines.
Let’s start with the entry level Point and Shoot Digital Camera. Perfect for those “Casual Shooters” or even the “Vacation Shooter”. They are small, light, easy to use, and well-priced. A majority will just turn the power on aim at what you want and press the button. They range in price from $50.00 - $200.00 and upward depending on features. Don’t let their size fool you, some of these cameras are incredibly sophisticated and have fantastic features. For great picture taking without any thinking this is a fantastic option. Many of them even include a decent amount of manual controls. Their size is also beneficial. These cameras tend to have slim bodies and retractable zoom lens. They are perfect to slip into a pocket and go. If you are thinking this is a good option for you I would opt for a waterproof and shockproof option such as the Fujifilm Finepix XP200. This is great for vacations as you can take this pretty much anywhere. You can get great photos and HD video under water or in snowy mountains without worrying about ruining it.
For the more adventurous bunch there are actions cameras such as the Hero GoPro. These are beneficial for the small size, light weight, great footage, but especially for being mountable. Other cameras can be mounted but cameras such as the GoPro has numerous attachments that allows you to mount the camera to nearly anything for truly unique footage. The filmmaker category can get great use out of this to get footage that otherwise would require intense rigging. However, unless you are into extreme sports, or have a need to mount a camera in a normally challenging situation you can get more out of a point and shoot or DSLR.
The next level up would be a mirrorless interchangeable lens camera. These offer superior image quality and compact size. They are costly, but if you want an easy to use small camera and can afford it this is a great option. If you want to get the creative juices flowing a bit you can invest in new lenses for these as well. Great option for a hobbyist photog or someone who wants great vacation photos without lugging around a bulky heavy camera.
My bias always leads people to get a DSLR. If it’s within your budget and you have an interest in photography, get a DSLR. You can get amazing pictures 80% of the time just on automatic mode. While you have a wide range of features you can put it on auto, and let the camera do the hard part. An entry level DSLR such as a Nikon D3200 or D5200 allows you room to grow while giving you consistent quality photos. So you can start slow and just learn basics slowly working your way up through the various manual features. In most lighting conditions you can get a nearly identical photo to a camera that costs thousands more. You can also explore video features and take film-like footage. A skilled person could create nearly professional looking footage with an entry level DSLR.
If you truly love photography and want to take it to a higher level perhaps are an aspiring pro I would recommend a high end DX crop sensor camera such as a Nikon D7100. This level of camera has fantastic image quality and the cameras are packed with features that can really allow you to explore creatively.
Buy Used
The beauty of the DSLR market is that there are constantly new bodies being released which help drive down the price of older bodies with plenty of life left in them. If you want something a bit better than entry level but can’t afford it look on the second hand market. Great options include the D90, D300, D7000, and even the FX D700
If money is no object 1. I hate you 2. Buy an FX camera body. The image quality is unmatched. There are great options including the D600, D800, D4, as well as the older D700 or D3. I myself shoot with a D700. It’s an older body but shoots beautiful images.
Like I mentioned earlier there are lots of options of brands and models to get. Pick them up and see how they fit in your hands. Read reviews. But in reality if you have a DSLR from the last 5-7 years you are golden. You will get great pictures. If you buy a modern point and shoot camera, you will get great pictures. Just figure out what you are using it for, how compact you need it to be, and how much you are willing to spend.
International Canadian Fashion Showcase June 2013
International Canadian Fashion Showcase 2013
